{"id":1793,"date":"2017-02-03T22:24:57","date_gmt":"2017-02-03T22:24:57","guid":{"rendered":"http:\/\/www.hippy.com\/hip\/other\/family-fearless-1971\/"},"modified":"2017-02-03T22:24:57","modified_gmt":"2017-02-03T22:24:57","slug":"family-fearless-1971-by-ben-miler","status":"publish","type":"post","link":"https:\/\/www.hipplanet.com\/hip\/reviews\/family-fearless-1971-by-ben-miler\/","title":{"rendered":"Family: Fearless (1971)"},"content":{"rendered":"<p>\t\t\t\tFamily&#8217;s <b>Music in a Doll&#8217;s House<\/b> (1968) is perhaps one of the finest examples of psychedelia I know of. But of course, the band couldn&#8217;t stay on the psychedelic route forever. Between <b>Music in a Doll&#8217;s House<\/b> and this one, <b>Fearless<\/b>, the band had released three more albums, <b>Family Entertainment<\/b> (1969), <b>A Song For Me<\/b> (1970), and <b>Anyway<\/b> (1970). Also by this point, they were no longer recording for Reprise Records, but for United Artists. <\/p>\n<p>The original LP to <b>Fearless<\/b> comes with a gimmick cover, and despite that, it&#8217;s not one of the more attractive album covers I&#8217;ve seen. Through all this time, it&#8217;s amazing that the band still consisted of vocalist Roger Chapman, guitarist Charley Whitney, and drummer Rob Townsend. The band did seem to have problems keeping bassists. By the time <b>Fearless<\/b> the band acquired John Wetton on bass. He was just fresh from a band called Mogul Thrash (a band that featured former Colosseum guitarist\/vocalist James Litherland), and he would later leave Family to join King Crimson to become part of what is generally regarded as that band&#8217;s most influencial lineup. <\/p>\n<p><b>Fearless<\/b> is as I expect Family to sound like in the post-psychedelic era. They were exploring more acoustic folk-like songs, some prog rock, and boogie like songs. &#8220;Between Blue and Me&#8221; is the opener, which is largely acoustic and finds the band doing a somewhat more folky number. &#8220;Sat&#8217;d&#8217;y Barfly&#8221; is a rather cheery boogie number with the use of tuba and honky tonk piano. &#8220;Larf and Sing&#8221; features the band singing in harmony. This tends to be another laid-back number the band seemed to enjoy doing at this time. <\/p>\n<p>&#8220;Spanish Tide&#8221; sounds scarily like how John Wetton&#8217;s 1980s band Asia might have sounded like if they existed in 1971. Same type of vocal harmonies, the great thing, is it lacks that slick, commercial sound of Asia. &#8220;Save Some For Thee&#8221; was one of the more hard rocking numbers on this album with almost a bluesy slant. &#8220;Take Your Partners&#8221; might sound like the band should get down with a hoedown here, but that&#8217;s very far from the truth. It&#8217;s in fact, the band&#8217;s idea of a prog rock epic, there&#8217;s even some space rock tendencies. Because it&#8217;s the longest song, it allowed the band to get in to a jam. <\/p>\n<p>The next song is &#8220;Children&#8221;, which is a simple, effective, acoustic singalong. &#8220;Blind&#8221; really trips me out, because Roger Chapman really gives his powerful voice all he&#8217;s got. You&#8217;ll keep hearing these wailing sounds that were made from this plastic tube you whirl in the air and the faster you whirl it, the higher the pitch. <\/p>\n<p>The last song is &#8220;Burning Bridges&#8221;, and you can be ever so thankful this isn&#8217;t a cover of a Mike Curb song. This is a Family original, and like &#8220;Take Your Partners&#8221;, this is another prog rock song, but isn&#8217;t as experimental and more sticks to the music. Although <b>Fearless<\/b> is still a fine album, I prefer <b>Music in a Doll&#8217;s House<\/b> so start there first.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Family&#8217;s Music in a Doll&#8217;s House (1968) is perhaps one of the finest examples of psychedelia I know of. But of course, the band couldn&#8217;t stay on the psychedelic route forever. Between Music in a Doll&#8217;s House and this one, Fearless, the band had released three more albums, Family Entertainment (1969), A Song For Me [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[],"class_list":["post-1793","post","type-post","status-publish","format-standard","hentry","category-reviews"],"_links":{"self":[{"href":"https:\/\/www.hipplanet.com\/hip\/wp-json\/wp\/v2\/posts\/1793","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.hipplanet.com\/hip\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.hipplanet.com\/hip\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.hipplanet.com\/hip\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hipplanet.com\/hip\/wp-json\/wp\/v2\/comments?post=1793"}],"version-history":[{"count":0,"href":"https:\/\/www.hipplanet.com\/hip\/wp-json\/wp\/v2\/posts\/1793\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.hipplanet.com\/hip\/wp-json\/wp\/v2\/media?parent=1793"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.hipplanet.com\/hip\/wp-json\/wp\/v2\/categories?post=1793"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.hipplanet.com\/hip\/wp-json\/wp\/v2\/tags?post=1793"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}